Rana Naidu Movie in iBOMMA. For the first time ever, Venkatesh Daggubati and Rana Daggubati team together for a web series, but it is a full-length acting project. The show, Rana Naidu, has been piqueing viewers’ interest. The series is directed by Karan Anshuman and Suparn Verma. The antagonistic personalities of Venky and Rana piqued viewers’ interest in this gritty family drama. Let’s investigate what it offers.
Short Story
The father and son, Naga (Venkatesh) and Rana Naidu (Rana), are at odds. Rana despises Naga utterly. Naga is imprisoned for a crime he did not commit. After serving 15 years in prison, Naga gets released and is greeted by Tej, Jaffa, and Arjun. One and only Rana rejects Naga. Naga is trying to get his family back together. What difficulties does Naga face, and why is Rana pursuing Naga? Who are Surya Rao and Prince Reddy? How do they fit into the present and past of Rana and Naga?
Performence
Rana Naidu, a role supported by an author, belongs to Rana Daggubati. He effortlessly assumes the character of the one who makes things right for his clients and loved ones. The character was able to complete even challenging duties with ease because to his charismatic demeanour and on-screen presence. Venkatesh Daggubati played a never-before-seen or never-before-imagined character.
The gray-haired Venky encourages his adult sons while also guzzling beer, using profanity effectively, and banging females. Former actress played by Surveen Chawla retires from acting and marries Rana. Surveen accomplishes the job well. Aditya Menon does good as Rana’s ally Srini. Both Sushant Singh and Abhishek Banerjee portray Rana’s siblings, who are both physically and mentally ill. Garav Chopra has a respectable part as superstar Prince Reddy.
Technical Aspect
Rana Naidu is pulled, with both desirable and unwanted sequences, by a tenuous narrative. Its underwriting doesn’t support the buildup and hype. The production value, however, is good. The best aspect of this criminal drama is the music in the background. The majority of the visuals are black, yet they have a powerful effect and help. Editing lacks crispness.
Review
The narrative of Rana Naidu has the potential to be successful, assuming that it is written effectively and that the characters have an arc. The characters have flaws and dark undertones. There contains profanity, sex, and nudity. The series maintains these traits over its whole run. These naturally turn us away from family audiences. This is consistent with what the principal actors disclosed when being promoted. Given that Venkatesh and Rana have a sensitive and family-oriented reputation among Telugu audiences, they requested the spectators to watch this in solitude.
The narrative of Rana Naidu has the potential to be successful, assuming that it is written effectively and that the characters have an arc. The characters have flaws and dark undertones. There contains profanity, sex, and nudity. The series maintains these traits over its whole run. These naturally turn us away from family audiences. This is consistent with what the principal actors disclosed when being promoted. Given that Venkatesh and Rana have a sensitive and family-oriented reputation among Telugu audiences, they requested the spectators to watch this in solitude.
The father-son struggle is the central theme of the entire series. When we learn the causes, it seems ridiculous and foolish. In truth, it is unclear if Naga and Rana’s separation was caused by any specific factors. How did Naga get here? How did he lose Nithya, his daughter, and his wife? Naga’s memory flash is insufficient. We are left with a number of these unsolved questions by the series. Due of the liberties made, the rationale favours the toss.
In Rana Naidu, the father and son spar. These first pique people’s interest. But as the plot develops, these just disappear. The characters of OB Mahajan, a real estate magnate, and a rapper are not very important to the main plot. Of course, it could be so much better. While Rana and Naga mainly rely on mind games, there is room for action sequences and combat episodes. The show battles with faults that turn fans away.
Urdu slang from Hyderabad is used effectively. These might be related to by Hyderabadians. However, Telugu viewers as a whole are not accustomed to such overt material and derogatory speech that is present everywhere. Surya Rao’s role adds some suspense in the later episodes, allowing the narrative a chance to pick up.
Rana Naidu isn’t for everyone overall. This could persuade enthusiasts who enjoy reading dark, assertive stuff. But the latter episodes lacklustre. In particular, the climax is a wet squib. The honesty of the main characters Rana and Naga and their performances is the show’s redeeming grace. The series falls short and leaves viewers wanting much more.
Details
| Genre | Action Crime drama |
|---|---|
| Created by | Karan Anshuman |
| Based on | Ray Donovan |
| Written by | Karmanya Ahuja Anany Mody B. V. S. Ravi Vaibhav Vishal Karan Anshuman Dialogues: Vaibhav Vishal |
| Screenplay by | B. V. S. Ravi |
| Story by | Ananya Mody |
| Directed by | Suparn Verma Karan Anshuman |
| Starring | Rana Daggubati Venkatesh Daggubati Suchitra Pillai Rajni Basumatary Gaurav Chopra Surveen Chawla |
| Music by | Sangeet-Siddharth |
| Composer | John Stewart Eduri |
| Country of origin | India |
| Original language | Hindi |
| No. of seasons | 1 |
| No. of episodes | 10 |
Screen Shorts
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